The Telugu version stars Kanta Rao, Shoban Babu, S. Varalakshmi, Kaikala Satyanarayana in supporting roles, replaced in that order by M. R. Radha and Manorama in the Tamil counterpart. The cellos backing up with playing chords at regular intervals. Kusha or Kusa (Sanskrit: कुश) and his twin brother Lava were the children of Rama and Sita. The last two minutes Maestro soars high and high with a moving score. , Kanta Rao was cast for the role of Lakshmana. When veena was playing Sita was praying Rama to give long life for their children (as she knows the value of Rama’s arrow, once it is out of the bow, it does not come back unless it hits the target) and also begging for her maangalyam (as the war might turn into anything). Please don’t miss to visit this site which serves as the biggest tribute to Maestro’s music. Hanuman could not bear this any more rushes (for the first time as real hanuman, remember he was adorning the ashram as a kid so far) to Sita to inform her about the danger of war between Rama and his sons. For that we to understand the dialogues. After Rama (Balakrishna) and Sita (Nayanatara) get back from Lanka, the … Just like the rest, the lyrics are simple and beautiful. This film was later remade with the title Sri Rama Rajyam in 2011. Here is the Sri Rama Rajyam music review… Take a look!!!  Rama Rao reprised the role of Rama in a number of films over a two-decade career. [a], During a programme Telugu Cinema Prasthanam organised by the film society of Visakhapatnam, writer include actor Ravi Kondala Rao placed Lava Kusa among other cult films like Raja Harishchandra (1913), Bhakta Prahlada (1932), Mala Pilla (1938), Devadasu (1953), and Pathala Bhairavi during a speech on the role of Telugu cinema in the hundred years of Indian cinema. The melody in the violins (8:40- is the variation/melancholy of ‘nee needaga saaguninka jaanaki yani..sreekaram manOharam id veedani priya bandhamani’. What is he trying to convey here? It was also dubbed in Kannada, and later in Hindi in 1974. With just veena, switching to the war front is difficult, so enable seamless switch over, he opts for violins. Remember this in mind that just after this scene Bapu is showing the war front again. As Sita handovers Lava-Kusa to Rama, divine Veena plays (with violins at the background) (9:23-9:47) to indicate the auspicious moment of love, happiness and reunion.  Subrahmanyam was cast after the makers saw him perform the same character in a play staged in Kakinada. I thought of cutting the scene and score into half, but it will take away the essence of both, so left it to be long, so that it the flow is continuous. Lakshmana warned Lava-Kusa to handover the horse as it was Rama’s horse.  During the process, Sadasivabrahmam stayed faithful to the screenplay and the dialogue written for the original by Vallabhajosyula Ramanamurthy and Balijepalli Lakshmikantham respectively. Change ), You are commenting using your Twitter account. Quite the same Wikipedia. Bapu. Change ), Gali Ningi Neeru – A Tribute to Ghantasala, Sri Rama Rajyam – End Credits and Conclusion, Sri Rama Rajyam – End of Rama’s Incarnation, Sri Rama Rajyam – Sita Returns to her Mother …Forever, Sri Rama Rajyam – Sita handover Lava-Kusa to Rama. A special mention goes to the film Sri Rama Rajyam, which was released recently in 2011. The former won the National Film Award for Best Feature Film in Telugu for that year. The film depicts Rama's rule of Ayodhya after he returns home fr… Sri Rama Rajyam is a 2011 Indian Telugu-language Hindu mythological film, produced by Yalamanchali Sai Babu under Sri Sai Baba Movies banner and directed by Bapu. The film was a remake of 1934 film of same name which was also directed by C. Pullaiah. Bapu could have just focussed Rama and the Sun God, but he also brings fire to the foreground which says something. Before going there let us step back to remind ourselves that Lakshmana fainted at the war front against Lava-Kusa which now becomes Rama’s responsibility to seize the Aswa-Medha (horse) from Lava-Kusa and thereby liberate Lakshmana. , Soundtrack was composed by Ghantasala and lyrics by Vempati Sadasivabrahmam, Samudrala Raghavacharya & Kosaraju Raghavaiah.. Sri Rama Rajyam – Sita handover Lava-Kusa to Rama July 28, 2013. are very good. The story is basically the later part of Ramayana written by Valmiki Maharshi when Rama sent Sita to forest and later how the twin boys of Rama – Lava and Kusa reach Ayodhya and later Sita joins her Bhoodevi in the … The film, directed by C Pullaiah and CS Rao, played in most theatres for 75 consecutive weeks and redefined the meaning of commercial success. Sri Rama Rajyam : Telugu Movie Review Movie is Good. By playing it here he tells the audience/listeners that Rama is going to meet Sita again. English Articles. Under Sage Valmiki's guidance, the boys set out to preach the Ramayana in Ayodhya but a shocking truth awaits them there. Adding to that is the magical film making skill and artistic depiction of movies by the Bapu-Ramana duo. Later she gives birth at Ashram to twins; Lava and Kusa.  After five years, Sundarlal Nahata offered to provide funds in lieu of the film's distribution rights and B. Nagi Reddy provided studio facilities. Now the transition happens from ashram from war-front (7:50-8:05) with the help of just sustained cymbal clashes (in addition to sound effects). Sri Rama Rajyam : Telugu Movie Review Movie is Good. Flute, violins, female choir, veena enhances the scene by enhancing Rama’s beauty, as Lava-Kusa describe him as Lord Vishnu. Maestro scans all this in a flash. Rama meditates to find out who these kids are and at that exact moment his devotee Lord Hanuman (fetching flowers for Sita’s Lalitha Sahasranamam) who was flying and listening to their conversation spills the flowers as he sees the danger of war happening between a father and sons.  When the scene of Rama embracing his sons was filmed, Pullaiah arranged two small tables and asked Rama Rao to hug Nagaraju and Subrahmanyam, who were standing on them. ... Landed here while searching for Sri Rama Rajyam songs. Lava Kusa (Telugu/Tamil, 1963) An adaptation of the Uttara Kanda from the Mahabharata, Lava Kusa featured Sr NTR in the role of Lord Rama and set the box office on fire. Even though she lived away from Rama, her soul was always with Rama and Rama’s shadow was always with Sita and he blessed her all the time. He approaches them and showers love on them, but Lava-Kusa express their regret as he abandoned pregnant Sita to the forest. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Also by playing the second interlude he is again stressing that their meeting will be short-lived, like the song will end shortly after the second interlude. When Rama responds and accepts his mistake, the flute now acts in favor of Rama and cellos play for Lava-Kusa’s feeling.  Writer Vempati Sadasivabrahmam, who worked with Pullaiah for Charanadasi, was chosen to write the remake's script.  Rao was reluctant, opining that nothing dramatic was left for him to film. No matter how much you try to eliminate any comparison between Lava Kusa and Sri Rama Rajyam, comparison becomes inevitable. There is no music from 2:15-3:10. Change ), You are commenting using your Facebook account. When she prays Rama to save the world and bring peace, the mood is plural, the whole world, so Maestro brings the groups of violins/cellos to address this emotion. Live Statistics.  The remake, also titled Lava Kusa, is the first full-length colour film of Telugu cinema. it was bapu's final film he had directed. From 6:47-7:14, hear how Maestro switches the emotions through orchestration from Sita’s fear to intense war scenario to pathetic Sita praying in front of Rama’s arrow (at the Ashram). The story is an adaptation of … The score is not a continuous one (a speciality of Maestro), it will have its silence at appropriate places and an intense score at other places depending on the intensity of the scenes. The film was a remake of 1934 film of same name which was also directed by C. Pullaiah. Adding to that is the magical film making skill and artistic depiction of movies by the Bapu-Ramana duo. Lava-Kusa asks Sita if Rama is their father. See the sweat from Maestro, despite no one caring to listen all these intricacies. Please don’t miss to visit this site which serves as the biggest tribute to Maestro’s music. , —Nagaraju, in an interview with The Times of India in April 2013. Sita turns away from Rama as she decided to walk away from Rama and his shadow. As we know ‘nee needaga saaguninka jaanaki yani’ means ‘Janaki would move with Rama like a shadow’. Just like the rest, the lyrics are simple and beautiful.  In a particular scene, Nagaraju was supposed to cry and glycerine was used. Sri Rama Rajyam (9) IMDb 6.7 2h 52min 2011 ALL Winner of seven Nandi awards, Sri Rama Rajyam is based on the epic Ramayana. Positive Points: *) Bapu-Ramana's combined presentation is very nice. Maestro Ilayaraja scored the music. This modern age of films, where no mythological films are to be seen, director Bapu came up with the same story of Uttara Rama Charitra and made Sri Rama Rajyam with stars like Balakrishna and Nayanatara. ( Log Out / The beauty of this scene is two-fold. are very good. Hats off to Rex for his huge dedication, passion and perseverance and to all Maestro fans for making it a thundering success. When it turned out to be ineffective, Anjali Devi slapped him and the scene was filmed. *) Statues (Lord Surya, Surya vamsa people, Lord Rama in Valmiki ashramam, etc.)  According to them, Rama Rao and Anjali Devi were "committed to the core". The film is based on the epic Ramayana.  For the Tamil version, they were replaced by Baby Uma and Master Murali. He gives enough time for their conversation to get heated up and that’s when he starts scoring again.  It was released in 26 centres and had a 100-day run in all the centers, which was a record and ran 150 days in all those centers and 175-day run in 18 centres. This is unbelievable stuff. The marching drums (from 1:36-1:41) is a stunning culmination of the score as Rama gets angry to see Lakshmana and his people getting defeated. Why Rama plays this theme again? Sri Rama Rajyam. Lava Kusa: The Warrior Twins– Animated film based on Uttara Kanda (2010). , Pullaiah made Nagaraju and Subrahmanyam undergo training for an hour everyday and memorise the dialogues and lyrics of the songs. Recent. The story is an adaptation of the Uttara Kanda from Ramayana. The fire is burning in Rama for years together to meet and join with Sita. By then, Pullaiah's health deteriorated and Sankara Reddy approached Bommireddy Narasimha Reddy to complete the film. The expectations on Sri Rama Rajyam are very high as it is inspired from Lava Kusa and has been made with rich technical values. Rama decided to conduct an Ashwamedha Yagna – Horse Sacrifice. It was later remade in Telugu as Sri Rama Rajyam. When the actor was being diagnosed for eosinophilia and became obese, he was offered the role of Shatrughna. The film was shot in both Telugu and Tamillanguages with the same title, but with slight differences in the cast.  Bapu used Lava Kusa's storyline in his 2011 film, Sri Rama Rajyam.  Rama Rao insisted Sankara Reddy to let Kanta Rao play Lakshmana, and Sobhan Babu was signed to play Shatrughna. When Rama advances, Lava-Kusa shoots two arrows at Rama’s feet stating the first one is to welcome Rama to the Ashram and the second one is to show their denial for releasing the horse. Maestro shifts gear from 0:45-1:40. It is Must Watch movie. ( Log Out / What are the incidents that happens next forms the Sri Rama Rajyam Story. They reciprocate that the history of a person is not required who is going to wage a war and asks Rama to stay away. Also hear how Maestro gradually gets thumpura in-line and stops the music as Rama gets the blessings from his mother before leaving. Maestro by picking this theme gets into the soul of Rama and asks Sita, ‘You did say you will not leave me, but now you are turning away from me, is this fair?’. A special mention goes to the film Sri Rama Rajyam, which was released recently in 2011. The story begins with Sri Rama Pattabhishekam and about the brief period of Rama Rajyam, Rama sending Seeta exile on hearing the accusations of a washerman, Birth of Lava and Kusha, their visit to Ayodhya, Ashwamedha Yagna and coflict between Rama and his sons and Pattabhishem of Lava and Kusha and Rama and finally ending his Avatar. Sri Rama Rajyam movie explains how poet Valmiki, the author of the epic Ramayana narrates the script in general. Please hear the score from 0:03 – 0:37 for the Sri Rama Lera theme. The duo stated that this incident was an example of Pullaiah's respect towards the lead character and the state of technology in use. What a shot that is! After its completion, she had to console him for almost fifteen minutes. A. Sankara Reddy wished to produce a film based on the Hindu epic Ramayana with N. T. Rama Rao and Anjali Devi in the lead roles after watching them play the roles of Rama and Sita in the song "Murisenu Lokamu" from Charanadasi, the Telugu version of the 1956 Tamil language film Mathar Kula Manickam. If you listen closely, you might find, otherwise it sounds like a totally new melody, just like another song in the same raagam. If Bapu has only given a hint of Rama’s desire and his questions through that fire, Maestro answers to the visuals by playing the second interlude of Sri Rama Lera song. This song written in the lines of the classic vinuDu vinuDu from Lava Kusa, explains rAmAyaNa from the birth of rAma till the sItArAma swayamvaram. There she is protected by Valmiki and given shelter in his Ashram. As he takes a glance of his fainted soldiers and Lakshmana, his heart cries and we can see it in his eyes. I am so moved by this theme, especially at this juncture. Maestro was playing ‘tarot’ cards at his best.  Filming used to begin by 7:00 AM and would go on till 9:00 PM. Sri Rama Rajyam (2011) A remake of the 1963 classic Lava Kusa, the Bapu-directed devotional movie revolved around Lord Rama's separation from his wife Sita. Maestro ILaiyaraaja, a Nostradamus in music! Maestro plays melodic strains of violins (4:16-4:52) with cellos acting as staccato points to mark the aggression/ friction between Rama and Lava-Kusa. Use of certain rarely used words is impressive! He does not know the kids he is going to fight with are his own children (even though this is a skewed way of knowing his children, as I mentioned in the previous episode). From 5:56-6:17 we can hear a superb tremolo on a unique instrument (surely it’s not violin, may be a keyboard sound) with violins backing that tremolo finishing on a high crescendo. When Bapu is narrating the visuals brilliantly hear how Maestro complements the scene by narrating the scene further with his music. As Sita hugs her children, flute calms them down (9:03), as Lava-Kusa realizes for the first time that their mother is Sita (and Mahalakshmi). Seamless transition again!. He does not know that he is going to meet Sita. Maestro Ilayaraja scored the music. Nandamuri Balakrishna plays the lead role as Lord Rama with Nayantara as Seetha. Positive Points: *) Bapu-Ramana's combined presentation is very nice. The wind instruments reflect Lava-Kusa’s thoughts, while the cellos tear Rama’s heart. 1. ( Log Out / In which, Bala Krishna is going play lord Rama in a film and Nayantara will portray the role of Sitadevi. Rama warns them to first learn the strength of their opponent before waging a war.  Unlike Subrahmanyam, Nagaraju acted in a few films before Lava Kusa; Pullaiah offered him the role after observing his work. This is another perfect example how he narrates the scene musically even when there are no dialogues. The story begins with Sri Rama Pattabhishekam and about the brief period of Rama Rajyam, Rama sending Seeta exile on hearing the accusations of a washerman, Birth of Lava and Kusha, their visit to Ayodhya, Ashwamedha Yagna and coflict between Rama and his sons and Pattabhishem of Lava and Kusha and Rama and finally ending his Avatar.  It ran over 1111 days , Lava Kusa is considered a classic of Telugu cinema. Maestro’s viswaroopam shows here as he swings violins, flute, oboe along with the sound of wind to denote the danger lurking in (5:05-5:23). Pullaiah convinced Rao to take up the task, stating that the emotional scenes in Rama’s palace were of equal importance to the story. Below or click an icon to Log in: You are commenting using your WordPress.com account undergo training an! Nagaraju was eight years old when the film was produced by Shankar Reddy under Lalita Sivajyothi films,. 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The background, reminder her that is the father of two kids other versions opts.
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